Farewell to the spies

By , July 5, 2010 12:45 pm

Today we begin putting ‘Dream Voices: Siegfried Sassoon, Memory and War’ into the Exhibition Centre. The first job is to unload the exhibits from the previous display, ‘Under Covers: Documenting Spies’. Unloading an exhibition hardly seems to take any time at all: a quick transfer of books, maps and manuscripts onto trolleys, and they’re ready for return to their accustomed places on the Library shelves. Half a year to prepare, and half an hour to dismantle.

Still — the decks are now cleared for Sassoon.

Motorbikes

By , June 26, 2010 12:53 pm

We’re coming to the end of writing the exhibit captions for the ‘Dream Voices’ exhibition. We try not to let the captions go too far over a hundred words each: if we exceeded that limit too often, a display with fifty or sixty exhibits (most of which are themselves written texts) would present an exhausting amount of reading.

I don’t always find it possible to be as concise as I would like. Each caption represents a mini-research exercise, and following the leads through printed reference works and web-based resources often turns up a great deal of interesting detail that will never make its way into the final text. A caption is there to identify the exhibit, place it in context, and perhaps indicate one or two points of interest that might otherwise be missed: perhaps explaining a technical term or identifying a named individual.

A recent caption drew me into some unfamiliar by-ways. One of the items received with the newly-accessioned Sassoon Archive (MS Add. 9852) is a notebook used by Sassoon to record cricket matches in which he took part between 1899 and 1905. Most of the matches recorded were played in Kent during his school holidays, when Sassoon turned out for local village sides or for scratch elevens assembled by his brother Michael or himself. Several of the matches were played for an ‘I. B. Hart-Davies XI’, and as the most attractive opening of the book to display in the exhibition had details of one of these matches, I wanted to find out more about the captain of this side.

It transpired that Hart-Davies was a well-known figure in the early history of motorcycling. After attending the King’s School in Canterbury he had become a schoolmaster at the New Beacon in Sevenoaks, which the Sassoon brothers attended (and is described by Siegfried in the first chapter of ‘Seven More Years’, the second part of The Old Century). In 1909, Hart-Davies took the motorcycle speed record between John o’ Groats and Land’s End, covering 886 miles in 33 hours and 22 minutes. The motorcycling journalist ‘Ixion’ (pen-name of Basil H. Davies) remembered that although he wasn’t the fastest rider over short courses, Hart-Davies’s physical stamina was ‘colossal… he never tired.’ In 1911 he reduced the John o’ Groats to Land’s End record to 29 hours 12 minutes, but this was his last attempt: according to the Commonwealth War Graves Commission website, ‘As his speed exceeded the then maximum of 20mph further official record attempts were banned by the Auto Cycle Union.’

After giving up school-teaching Hart-Davies became an insurance broker in the Midlands. In 1913 he qualified as a pilot, and it was rumoured that he took up flying to try to set another John o’ Groats to Land’s End speed record, by air. However, it was flying that led to his death: he was killed in July 1917 on a training flight as a pilot in the Royal Flying Corps. An obituary notice in The Times recorded that, with three other motorcyclists, he won the Mürren Cup, despite the fact that none of the team had ever done any bobsleighing before. A fellow-officer quoted by The Times called Hart-Davis a ‘gallant fellow whom we all liked immensely’.

The King’s School in Canterbury, which has undertaken research on its Old Boys killed in the War, knew about Hart-Davies’s motorcycling exploits, but hadn’t heard of his cricket XI or his links with Sassoon. Among the huge research potential of the Cambridge Sassoon Archive, a cricket scorebook may represent only a tiny part; but nevertheless this document gives us a previously-unseen glimpse of the unusually active sporting life of one of the generation heading unknowingly to war.

Sassoon goes AWOL

By , June 17, 2010 3:17 pm

Telegram commanding Sassoon to report for duty found in the journal MS Add.9852/1/11

This terse telegram was sent to Sassoon on 12 July 1917 by his commanding officer in the wake of the publication of his ‘Soldiers Declaration’. Sassoon was deliberately overstaying sick leave permitted for recuperation from a bullet wound sustained at Arras. When Sassoon did indeed report to Litherland depot he fully expected, and in fact hoped for publicity’s sake, to be arrested and court-martialled. Instead he was directed to put up in the Exchange Hotel in nearby Liverpool to await further instruction. The government War Office, to whom the Army had referred the matter, were determined not to allow the statement to become a public cause. They, partially influenced by the intervention of various friends including Robert Graves, resolved the stand off by sending Sassoon to Craiglockhart Hospital near Edinburgh to recover from ”neurasthenia”or shell shock. At Craiglockhart Sassoon was to meet and nurture one Wilfred Owen.

Listen to contrasting performances of Sassoon’s poetry

By , June 9, 2010 2:43 pm

A special edition of the long running BBC Radio 4 programme ”Poetry Please” was broadcast on Sunday. It was recorded in April on location here in the Cambridge University Library.

The programme consists of a discussion about Sassoon and his poetry between poet Roger McGough and archivist John Wells, interspersed with readings delivered by the actor David Bamber (Rome, Pride and Prejudice).
You can currently listen to the programme via the BBC’s website:
http://www.bbc.co.uk/programmes/b00sl3y3#synopsis
The programme will be broadcast again at 11:30 p.m. this coming Saturday (12 June).

David Bamber’s style of delivery is highly dramatic and in stark contrast to the delivery of Sassoon himself as exhibited in two recordings available on the ”Poetry Archive” website. The website is the result of a project begun by Andrew Motion when Poet Laureate to make recordings of poets reading their own works accessible via the internet. There are two recordings of Sassoon in which he reads ”The Dug Out” and ”Everyone Sang”:
http://www.poetryarchive.org/poetryarchive/singlePoet.do?poetId=1561.

 If you wish to compare the readings directly David Bamber reads the ”Dug Out” 21 minutes, 36 seconds into the programme and ”Everyone Sang” at 27 minutes, 47 seconds.

The sensual perception of a poem

By , June 1, 2010 1:00 pm

In his autobiographical work Siegfried’s Journey Sassoon makes an interesting observation when describing his slowness in appreciating the ‘exceptional quality of [Wilfred Owen’s] poetic gift’. ‘Manuscript poems’, he writes, ‘can be deceptive when handed to one like school exercises to be blue pencilled, especially when one has played thirty-six holes of golf and consumed a stodgy hospital dinner’ (page 59). It seems that Sassoon was deeply aware of the aesthetics of his work in both manuscript and published form. From childhood onwards many of his manuscript poems are to be found accompanied by his own diligently laid out watercolour decorations, and his attention to correcting printers’ proofs appear to show a concern for the visual impact of the printed word on the page. Is this perhaps an influence of his maternal Thornycroft artistic lineage?

On rearrangement and paperclips

By , May 28, 2010 4:23 pm

Something of a milestone in the cataloguing process has been reached today; the material has now been placed physically into the intellectual system of arrangement outlined in the post of 26 May. So far rearrangement has reached what is generally known as ‘item’ level (i.e. where an ‘item’ refers to a volume or bundle that will be treated as one discrete object). A decision will need to be made at a later date if any of the bundles of correspondence and papers merit rearrangement at ‘piece level’ or whether their original order should be maintained.

Some basic repackaging to aid the preservation of the material has also begun. In particular this means replacing metal items like paperclips, staples and treasury tags with brass paperclips; and plastic items like document wallets and polythene bags with folders made from acid free card. With this collection this is largely a precautionary measure as the paperclips found so far have not been exposed to the kind of atmospheric conditions that induces rust. In any case the temperature and humidity controlled stacks which the material will be kept in here at Cambridge University Library will inhibit further corrosion.

A structure for the catalogue emerges

By , May 26, 2010 11:01 am

Cataloguing the collection began at the beginning of May. The material was purchased in December from the executors of George Sassoon, the only child of Siegfried Sassoon, via Sotheby’s auctioneers. The sale inventory compiled by Sotheby’s has provided enough detail to allow the identification of the main groups, or in archival jargon ‘series’, into which descriptions of the collection will be arranged. Ideally the archivist aims to preserve as much of the ‘natural’ or ‘original order’ of the material as possible whilst also creating a logical structure of ‘categories’ that allows the researcher to readily identify material of relevance to their work.

So far the following series and sub-series have been identified:

  • Journals
  • Sporting notebooks
  • Commonplace books
  • Legal and accounts
  • Poetry notebooks
  • Material relating to prose works:
    • ‘The Old Century’
    • ‘The Weald of Youth’
    • ‘Siegfried’s Journey’
    • General
  • Critical writings
  • Correspondence
  • Photographs
  • Printed matter
  • Papers of other individuals:
    • Katherine Gatty
    • The Gatty family
    • Hester Sassoon
    • Rupert Hart-Davis
    • Dom Wulstan Phillipson
    • George Baker

Once this structure is a little clearer more detailed descriptions of the series (such as covering dates) will begin to appear under the classmark MS Add.9852 amongst the Cambridge University Library Department of Manuscript’s other catalogues displayed online  at:

http://janus.lib.cam.ac.uk/db/node.xsp?id=EAD%2FGBR%2F0012

Sassoon’s Poetry Please

By , May 22, 2010 3:43 pm

David Bamber (left) and Roger McGough during the recording of 'Poetry Please' in the University Library.

A team from BBC Radio 4’s ‘Poetry Please’ visited the Library in April to record two programmes based on our holdings of manuscript poetry.

The second of these programmes, due to be broadcast on Sunday 6 June at 16.30 (and repeated at 23.30 on Saturday 12 June), focusses exclusively on the writings of Siegfried Sassoon, as represented in the Sassoon manuscript collections here.

The presenter, poet Roger McGough, was shown treasures from our recently-acquired archive of Sassoon’s papers, MS Add. 9852, together with items from Sassoon collections accessioned in earlier years. Actor David Bamber (whose television roles include Mr Collins in Pride and Prejudice and Cicero in Rome) voiced a selection of Sassoon’s poems, as well as the ‘Soldier’s declaration’, Sassoon’s 1917 statement protesting against the continuation of the First World War.

The recording took place in the Library’s Sir Geoffrey Keynes Room, a fitting venue given Keynes’s close links with Sassoon and involvement with the publication of many of his small press poetry editions, from Vigils onwards.

What’s our banner?

By , May 22, 2010 3:20 pm

The illustration in the banner at the head of this blog is a detail taken from a tag given to Siegfried Sassoon for his voyage from France to Southampton aboard the Aberdonian on 1-2 August 1916.

Sassoon had gone down with enteritis on 23 July, while his battalion was temporarily withdrawn from the front line of the Battle of the Somme. His case was severe enough to have him despatched to the 1st New Zealand Stationary Hospital in Amiens (the scene of his poem ‘Died of Wounds’), and from there to the No. 2 Red Cross Hospital in Rouen.  In the Memoirs of an Infantry Officer Sassoon (in the character of his alter ego George Sherston) recorded how, at the Rouen hospital, a doctor had spotted his name in a list of officers recently awarded the Military Cross, and that this lucky chance had ‘wangled’ him his evacuation back to England — thereby saving him from the hazards of further involvement in the Somme campaign.

The tag was discovered folded in a pocket inside the cover of Sassoon’s diary for the period.

Sassoon Project blog

By , May 21, 2010 12:14 pm

Welcome to the Sassoon Project blog. Over the next few months we’ll be using this site to give updates on the progress of cataloguing the Library’s collections of Siegfried Sassoon’s papers, and news of other events such as exhibitions and talks.

A first date for your diary is Wednesday 21 July 2010, when the Library’s exhibition, ‘Dream Voices: Siegfried Sassoon, Memory and War’ will open to the public. See <http://www.lib.cam.ac.uk/exhibitions/Sassoon/index.html> for details.